Tag: eddie campbell

Bookish Links On A Friday Night

Well, the most interesting book world story right now is surely the whole hardball face-off between Amazon and Macmillan. I expect the most interesting discussion at Making Light. It’s been a pretty depressing week in the book world: too many stories of authors dying. I guess there will only be more and more stories about the passing of authors who… Read more →

More Book-y Bits

Did you get a chance to experience the cognitive dissonance that comes from VanderMeerian words read in a high-toned children’s literature type voice? Speaking of VanderMeerian weirdness, there was a nice little slice of it over at Tor.com. Sometime soon (yes, Real Soon Now) I will write another golden book post, and this one will focus on a Pat Cadigan… Read more →

Aside

So, it seems my post about getting the swank edition of From Hell, has caught the attention of Eddie Campbell himself, and he tells some of the story of how that edition came to be. Another great side effect of this is that a couple of the other owners of the swank edition put up links to scans of the paintings in their copies.

Painfully limited

I’ve made no secret of the fact that Eddie Campbell is one of my favourite comic creators—not to mention one of the top five living people I’d want to spend a night drinking and talking BS with—and that I think Alan Moore is probably the best comic writer to have yet lived. So it’s probably not surprising that I’m a… Read more →

Diverse practyk in many sundry werkes

My goal is to redefine the whole history of rhyme ‘Cause the only way to free the soul is to free the mind And no wisdom as old as this should be confined To total mystery, so we’ll just read the signs And DaVinci codes, and try to see the science In this linguistically-composed pristine design –extracted from Rhyme Renaissance… Read more →

Wednesday Bookish Links

I was delighted to find out this week that Emma Bull is writing a sequel to Territory (you might recall I was pretty excited about that one), tentatively titled Claim. Of course, in the interim, I can always get a hit of Shadow Unit. (I think I might have mentioned that once or twice, possibly.) I have made no secret… Read more →

A Humument

I was recently in a discussion of books as art object. Usually when I’m in a conversation like that it’s about fine limited editions, but this time it was about books that are works of art in a more conventional sense. I cited the Codex Seraphinianus, and the person I was talking to cited A Humument. I admit I was… Read more →

Anticipation

Please allow me to present several things that I am quite looking forward to. First up is the new album from Danny Michel. This should come as no surprise to anyone who reads this blog at all regularly–I hardly hide the fact that I’m pretty much a fanboy for Danny’s stuff. However, reading some of Danny’s announcements about the work… Read more →

A few comic book things…

If you have any doubt why people speak Berni Wrightson‘s name in tones of awe, check out these images from the Frankenstein portfolio he did back in the 70s: That’s just a detail from one image. You can see the rest over at Golden Age Comic Book Stories in these posts: one, two, three, and this discussion of background and… Read more →

The Fate of the Artist (and/or Writer)

I must share with you this anecdote that I ran across today at The Fate Of The Artist, blog of genius artist Eddie Campbell. (NOTE: For those of you not familiar with Campbell let me just say that his book The Fate Of The Artist, in my not-so-humble opinion the finest comic/graphic novel/whatever to be produced last year. How many… Read more →

Alan Moore

Look, Alan Moore is a genius. Hands down, he is the best writer who has ever worked for comics. Just From Hell, or V for Vendetta (my personal favourite), alone would make that first statement true, without looking at anything else. It’s not just comics though. His novel Voice Of The Fire is challenging, and rewarding. And the series of… Read more →

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This work by Chris McLaren is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 2.5 Canada.