The always entertaining Alan Moore
Let’s ease back into this blogging thing with a little of the old linkblogging.
You will recall my nerd-like nigh worship of Alan Moore. Well, the big story in comic book world yesterday was that Moore has finally had enough of one of his publishers, and is pulling all future projects from them–primarily over some problems with the movie adapation of my personal favourite of Moore’s works: V for Vendetta.
(I could insert here a long diatribe about how I don’t want this movie to be made because it will somehow impact on my ability to enjoy the book because they will doubtless completely miss the point of the work, as they did with Moore’s other works adapted to film. Or about how I want to be able to use visual iconography from the book to identify myself with a subset of people that is much smaller than the set of people who will recognize it after the movie, or whatever. However, I’m still on the sick side, so no ranting yet.)
The article goes into some depth on Moore’s history of problems with DC, and the kind of sad history of movie adaptations of Moore’s works.
Quite a bit of the history was known to me, but one piece I hadn’t previously heard was about Moore being sued over a claim that the Leauge of Extraordinary Gentlemen movie (”based” on Moore’s work of the same name) was stolen from an unproduced script:
This led to Moore giving a ten-hour deposition - he believes he’d have suffered less if he’d “sodomised and murdered a busload of children after giving them heroin.”
Quite a way with words.
Another bit that shocked me was this:
“The same with the option money on ‘V For Vendetta.’ I think it was about eight grand. It went to David Lloyd. Now, I wasn’t doing this because I could afford it, I was short of change actually, but I just wanted it done. Give it to Dave, take my name off the film.”
Joel Silver is making a major motion picture adaptation of Moore’s works and the option cheque is $8K??!? Wow is that wrong. The only explanation I can think of is that when DC (part of Warner Brothers) republished V in North America they somehow got the rights to the work, and they are just giving Moore some tiny token royalty. What a screw job.
The article is worth a read for anyone interested in Moore, or in movie adaptations of comics.

May 25th, 2005 at 9:47 am
I am not a big Moore fan, but in general I like to just enjoy the comic as it is, without delving into the details of the author’s life too much. Of course, it is terrible that creative people often seem to be taken advantage of. I guess that why I wasn’t so surprised by the 8k thing. Don’t the creators always get screwed?
In any case, I for one am looking forward to all of the movie adaptations that are coming out of the various comics, for one basic reason. It takes me back to being a kid for a couple of hours. No doubt, some of the movies will be disappointing (eg. Elektra…, and League of Extraordinary Gentlemen) and none of them will live up to the pictures in my head, but still, it is cool to see the stories made just a little more real on screen.
May 26th, 2005 at 9:08 am
[...] On Monday I was stunned to read that Alan Moore’s slice of the V f [...]
March 16th, 2006 at 3:38 pm
Trying to locate the source of the Alan Moore image yu have accompanying your blog. Can you help me out? i would like to use that image with an article we are writing for our newspaper.
Thanks very much,
Heather
March 16th, 2006 at 3:58 pm
The image you asked about is a lithograph that Top Shelf Comics did a couple of years ago of Moore. (In fact, you can see a crappy photo of my copy of that lithograph around here somewhere.
You can see the original image in their catalogue, if you go to:
http://www.topshelfcomix.com/catalog.php?type=13&page=16
and scroll to the bottom of the page. The images on the catalogue page link to a larger image file.
If you’re going to use the image in print you’ll probably have to get permission from the photographer, José Villarrubia, but you probably know more about that than I do. The Top Shelf folks can probably put you in touch.