{"id":177,"date":"2005-03-21T22:55:54","date_gmt":"2005-03-22T02:55:54","guid":{"rendered":"http:\/\/www.chrismclaren.com\/blog\/archives\/2005\/03\/21\/danger-high-voltage-slacks\/"},"modified":"2006-02-16T16:07:09","modified_gmt":"2006-02-16T20:07:09","slug":"danger-high-voltage-slacks","status":"publish","type":"post","link":"http:\/\/www.chrismclaren.com\/blog\/2005\/03\/21\/danger-high-voltage-slacks\/","title":{"rendered":"Danger High Voltage Slacks"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.chrismclaren.com\/blog\/wp-content\/images\/2005\/03\/oldwolf.gif\" width=\"180\" height=\"250\" alt=\"Old Wolf\" title=\"Old Wolf\" class=\"alignright\"\/>I love Tom Waits. Old hipster Beat Waits, and new batshit-building-instruments-out-of-farm-equipment Waits&#8211;I love it all. I can have my heart ripped out by <a href=\"http:\/\/www.ripcat.free-online.co.uk\/waitshtml\/sandiegoserenadelyrics.htm\">San Diego Serenade<\/a> just as easily as by <a href=\"http:\/\/www.ripcat.free-online.co.uk\/waitshtml\/mulevariationslyrics.htm#House%20Where%20Nobody%20Lives\">The House Where Nobody Lives<\/a>. I think I&#8217;d title my autobiography &#8220;<a href=\"http:\/\/www.ripcat.free-online.co.uk\/waitshtml\/mulevariationslyrics.htm\">You Don&#8217;t Meet Nice Girls In Coffee Shops&#8221;<\/a>&#8211;or at least in my mental world my life is interesting enough to carry that title.<\/p>\n<p>I mention this because <a href=\"http:\/\/www.observer.co.uk\/\">The Observer<\/a> has started a new series where they ask musicians to name and discuss their 20 most cherished albums, and <a href=\"http:\/\/observer.guardian.co.uk\/omm\/story\/0,13887,1439272,00.html\">they&#8217;re starting with Tom.<\/a><\/p>\n<p>I&#8217;m happy to see some of my favourites in there, it&#8217;s like having Tom certify my tastes. For example, he has Cohen (<em>&#8220;Leonard is a poet, an Extra Large one.&#8221;<\/em>), Costello (<em>&#8220;Scalding hot bedlam, monkey to man needle time. I&#8217;d hate to be balled out by him, I&#8217;d quit first. Grooves wide enough to put your foot in and the bass player is a gorilla of groove.&#8221;<\/em>), and The Pogues (<em>&#8220;They are a roaring, stumbling band. These are the dead end kids for real. Shane&#8217;s voice conveys so much. They play like soldiers on leave.&#8221;<\/em>)  in there. I was pleasantly surprised to see Bill Hicks (<em>&#8220;Bill Hicks, blowtorch, excavator, truthsayer and brain specialist, like a reverend waving a gun around. &#8220;<\/em>) in there, but on reflection it makes a lot of sense.<\/p>\n<p>I&#8217;m not surprised by Sinatra, or Monk, Dylan, James Brown, Zappa, or the Stones, but I am going to have to expend a lot of effort finding out about some of Tom&#8217;s other choices.  The Lounge Lizards, and Texas-Czech, Marc Ribot, Houndog, etc., will all need much further investigation.<\/p>\n<p>(There are also <a href=\"http:\/\/observer.guardian.co.uk\/omm\/story\/0,13887,1439283,00.html\">a couple of paragraphs<\/a> of analysis of Tom&#8217;s list available.)<\/p>\n","protected":false},"excerpt":{"rendered":"<p class=\"excerpt\">I love Tom Waits. Old hipster Beat Waits, and new batshit-building-instruments-out-of-farm-equipment Waits&#8211;I love it all. I can have my heart ripped out by San Diego Serenade just as easily as by The House Where Nobody Lives. I think I&#8217;d title my autobiography &#8220;You Don&#8217;t Meet Nice Girls In Coffee Shops&#8221;&#8211;or at least in my mental world my life is interesting&hellip; <a href=\"http:\/\/www.chrismclaren.com\/blog\/2005\/03\/21\/danger-high-voltage-slacks\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[9],"tags":[],"class_list":["post-177","post","type-post","status-publish","format-standard","hentry","category-music","xfolkentry"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5UQvw-2R","_links":{"self":[{"href":"http:\/\/www.chrismclaren.com\/blog\/wp-json\/wp\/v2\/posts\/177","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.chrismclaren.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.chrismclaren.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.chrismclaren.com\/blog\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"http:\/\/www.chrismclaren.com\/blog\/wp-json\/wp\/v2\/comments?post=177"}],"version-history":[{"count":0,"href":"http:\/\/www.chrismclaren.com\/blog\/wp-json\/wp\/v2\/posts\/177\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.chrismclaren.com\/blog\/wp-json\/wp\/v2\/media?parent=177"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.chrismclaren.com\/blog\/wp-json\/wp\/v2\/categories?post=177"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.chrismclaren.com\/blog\/wp-json\/wp\/v2\/tags?post=177"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}